Friday, October 14, 2016

► Khmer Remix Dance Club 2016 | Best Remix Song Mix by Dy bek,DJz Aaron SZ,Dom Long Mi,PSN...

{All of us|We all} listen to sad {tunes|tracks|music} to soothe our {thoughts|heads|brains} while we are {emotions|thoughts} lonely and sad. {These types of|These kinds of} songs not only {discuss|reveal|talk about} our sorrow but also give us comfort to the agony and pain we feel inside. {We|I actually|My spouse and i} favor listening to {unfortunate|unhappy|miserable} songs {once i is|after i is|while i is} hurt and {seem like|feel as if|think that} my soul is desperate in pain that I {cannot|are unable to|should not} express to someone {besides|apart from|aside from} myself.

{Amongst|Between} the many sad {tunes|tracks|music} that I find {well worth|worthy of|worthwhile} {hearing is|playing is} "Goodbye My Love' by James Blunt". This kind of song has amazing {words|words of the tune|song}, music {also to|and} top {everything|all of it|all this}, a great music online video. It shows the {breaking|dividing|busting} up of {an excited|an ardent|a keen} relationship where two {enthusiasts|fans|addicts} who were inseparable before have now parted {credited|scheduled|anticipated} to some unknown reason. The song is about bidding goodbye to the loved one in {truth|reality|simple fact} it is {packed with} profound passion, desire and {yearning|wishing|desire} for the lover who is going away, {departing|giving|going out of} behind memories of a wonderful relationship. The {vocalist is|performer is|musician is} lamenting {within the|above the|in the} love of his life who he knows {he could be|he's|he can} not going to see {any longer|any more|ever again}.Khmer Remix 2016

'Iris' by Goo Plaything is yet another {unfortunate|unhappy|miserable} song that sweeps {me personally|myself} off whenever I {pay attention|listen closely|hear} to it. When {We are|I actually is|My spouse and i is} sad and {nothing at all|little or nothing} seems to go right I listen to fantastic song. The words 'I don't want the world to see me cause I don't {feel that} {they will|might|the can} understand' touch my {center|cardiovascular|cardiovascular system} each time and i also listen to the track {again and again|repeatedly|time and time again}. The {track|music|tune} takes you deep in your imagination to {conceal|cover} yourself from the {globe|soil|ground}, where you are all alone with you {as well as your|along with your|plus your} thoughts that {no-one|no person} {hinder|affect|impact}.

Another one of my all time sad {track|music|tune} favorites is the {strike|reach} song by Backstreet {Males|Kids|Young boys} - 'Show Me the Meaning {to be|penalized} Lonely'. This kind of is one heart-tearing {track|music|tune} which I first {believed|paid attention to} when my best good friend passed away in a car crash. It has always brought tears to my own eyes while the memories of {my buddy|my pal|my good friend} flashed through my {brain|head}. {With|Including} times when {We|I actually|My spouse and i} experience a loss of loved one or {a buddy|a pal|an associate} or when my beloveds are distant to {me personally|myself}, I put on this song and lose {personally|me personally|me} completely in it.

{Damaged|Busted|Cracked} Strings - James Morrison ft. Nelly Furtado is yet another sad {track|music|tune} that speaks of {damaged|busted|cracked} relationships. The song {is all about|is around|is approximately} two lovers who are breaking up and they want {to keep|to carry|to support} {the other person} for the last time before saying good time. {They may be|They can be|They are really} singing to {the other person} the memories of their beautiful relationship {nevertheless they|nonetheless they} both know it is actually {past due|overdue|later} to make things right now. Broken Strings is a wonderfully written {unfortunate|unhappy|miserable} song and is being sung by two great {performers|vocalists} all times, James Morrison and Nelly Furtado who happen to be {my personal favorite|the best}

Tuesday, April 26, 2016

Bross La - Best Collection Songs | Nonstop 2016 | Bross La Khmer New Songs 2016 #1

Bross La
{This|Modern-day|Present} practitioners of what we also known as "modern" music are finding themselves to be suddenly {only|by itself|exclusively}. A bewildering backlash {is placed|is defined} against any music making that requires the {procedures|professions|exercises} and tools of research {because of its|due to its|due to the} genesis. Stories now circulate that amplify and magnify this troublesome {pattern|tendency|craze}. It once was that one could not even approach a major music school {in america|in the usa} unless well prepared to bear the commandments and tenets of serialism. When one listens to now of professors shamelessly studying scores of Respighi {to be able|as a way} to extract the magic with their {mass fast|standard|fast} audience appeal, {we all know|we realize|we understand} {there is|will be certainly|discover} a crisis. This {problems|turmoil|catastrophe} exists in the awareness of even the most educated musicians. Composers today {seem to be} to be {concealing|covering|camouflaging} from certain difficult facts {about the} creative process. {They will|That they} have abandoned their search for the tools that will allow them to create really striking and challenging listening experiences. {We|I actually|My spouse and i} {believe is|assume that is} because they are confused about many {ideas|thoughts|symbole} in modern music making! Bross La also good.

First, let's examine the attitudes that are needed, but {which may have|that contain} been {forgotten|left behind|deserted}, for the development of special disciplines in the creation of {an enduring|a long lasting|a long-term} modern music. This music that we can and must create {offers a|supplies a|gives a} crucible in which the magic inside our souls is brewed, in fact it is this that {structures|casings|support frames} the templates that guide our very evolution in creative thought. It is this generative process that had its flowering in the early 1950s. {Simply by|By simply} the 1960s, many {growing|rising|appearing} musicians had become infatuate of the wonders of the new and {fascinating|thrilling|interesting} new world of Stockhausen's integral serialism that was then the rage. {Presently there|Right now there|Generally there} seemed limitless excitement, then. It seemed there would be no bounds to the creative impulse; composers could whatever it {requires|will take|can take}, or so it {appeared|looked|looked like}. {During the time|At that time|At the moment}, most composers {had not|we hadn't} really examined serialism carefully {because of its|due to its|due to the} inherent limitations. {Yet|Nevertheless|Although} it seemed so fresh. However, it soon became apparent it turned away Stockhausen's exciting musical {strategy|procedure|way} that was fresh, {and never|rather than|but not} so much the serialism itself, to which this individual was then married. {This|That} became clear, later, that the methods he used were born of two special considerations that {in the end|finally} transcend serial devices: {traversing|bridging} tempi and metrical habits; and, especially, the {idea|principle|strategy} that treats pitch and timbre as special {instances|situations|circumstances} of rhythm. (Stockhausen {known|referenced|called} to the crossovers as "contacts", and he even entitled one of his compositions that explored this realm Kontakte. ) {These types of|These kinds of} gestures, it turns away, {are actually|actually are|fantastic} independent from serialism {in this|for the reason that|because} they can be explored from different {methods|techniques|strategies}.

The most spectacular {strategy|procedure|way} at that time was serialism, though, and not so much these (then-seeming) sidelights. It is this very approach -- serialism -- however, that after having seemingly opened so many new doors, germinated the very seeds of recent music's own {death|decline|collapse}. {The technique is|The strategy is|The process is} highly prone to mechanical divinations. Consequently, it makes composition easy, like following a recipe. In serial composition, the less thoughtful composer seemingly can divert his/her soul away from the compositional process. Inspiration can be {hidden|smothered|left}, as method reigns {best|great|substantial}. The messy intricacies of note shaping, and the epiphanies one {activities|experience} from necessary partnership with {a person's|their|your} essences (inside the {brain|head} and the soul -- in a sense, our familiars) can be {thrown away|removed|dumped} conveniently. All is marque. All is compartmentalized. {Intended for|To get|Pertaining to} a long time {it was|this is} the honored method, long hallowed by classroom {educators|instructors|professors} and young composers-to-be, {as well|likewise|equally}, at least in the US. Soon, a sense of sterility emerged in the musical atmosphere; many composers started to {analyze|look at|take a look at} {that which was|the thing that was|the fact that was} taking place.

The replacement of sentimental romanticism with atonal music {experienced|got|acquired} been a crucial step in the extrication of music from a torpid cul-de-sac. A music that would closet itself in banal self-indulgence, such as what seemed to be occurring with romanticism, would decay. Here came a time for exploration. The new alternative --atonality -- arrived. It was the new, if seemingly {severe|tough}, antidote. Arnold Schonberg {experienced|got|acquired} saved music, for the time being. However, {soon|quickly|soon enough} thereafter, Schonberg made {a significant|a critical|an important} tactical faux pas. The 'rescue' was truncated by {the creation of|the development of} a method by which the newly {liberated|separated} process could experience control and order! {I must|Need to|I can} {communicate|exhibit|share} some sympathy in {demand|fee} of Sch? nberg, who felt adrift in the sea of freedom provided by the disconnexity of atonality. Large forms {rely|count|hinge} {after} some sense of sequence. For him a method of ordering was needed. Was serialism a good answer? I'm {not too|not|less than} certain it was. {The|Their|It is} introduction provided a magnetic that would attract all those who felt they needed explicit maps from which they could build patterns. By the time Stockhausen and Boulez {showed up|came|appeared} on the scene, serialism was touted as solution for all musical problems, even for lack of inspiration!

Friday, January 8, 2016

Mrr Fulet ► Best Nonstop Video | New Song 2015

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